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It’s not really so much premiere vs flame as opposed to having someone do it that understands broadcast specs. Like sometimes people want me to conform but I don’t know the first thing about broadcast specs, that’s not what I ‘do’. A lot of people don’t seem to understand that.
I thought premiere caught up, I thought wrong. Got kicked back from ER quite a few times. until I pulled a flame artist for assistance.
Premiere has the tools. I conform nearly every job now. That said, for broadcast I’m always getting color and mix back that follow “legal” levels.
Coach
We conform and deliver every project in Premiere. The conform is just the assembly of all the finished parts, and media composer allows you to export in pretty much any format or codec that could be needed. Even if you’re doing VFX or cleanup in Flame, you can still export your finished shots and bring them into Premiere, along with the audio, graphics, and the rest of your footage. Perhaps you’re using the term conform to generalize finishing?
More often than not
It’s probably because the artist working in Premiere, which I think we’ll anecdotally agree is used primarily for offline, isn’t properly conforming for online. The tool isn’t the issue. The output specs might be.