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As much as I enjoy shooting with film, my clients seem to love it even more than I do, partly because there's still room for doing it differently.
A recent fashion-esque portrait session involved 120 Provia loaded into a Holga connected to 3-5 monolights.
A corporate CEO headshot session ("Do something different," he said) saw me using my 4x5 with manually-cut black-and-white fiber print paper negatives. They exposed properly at about ISO 4, so I was able to get a modest level of motion blur from palm fronds blowing in the background.
I'm working on something funky right now, too.